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Yet Allegrain's Venus does not explicitly refer to any antique model, although it does have the serpentine fluidity of the works of Giambologna (1529-1608), an Italian sculptor of Flemish origin who had greatly influenced European sculpture. In particular, it has affinities with the quot;Bather Placing Her Foot on a Perfume Vase,quot; a 17th-century bronze copy of which is in the Mus√e de la Chartreuse, Douai, notably that figure's sinuous contours, lowered shoulder, small breasts, and very elaborate plaited hairstyle (which Allegrain improves upon). Yet he is not sculpting the firm, idealized body of a goddess but the carnal reality of a woman. She has folds on her stomach, hips, and arms.

Koner‚s friend and fellow Jewish dancer Corinne Chochem went to Palestine and influenced Koner to travel there from 1932 to 1933; Koner also danced in Egypt and traveled to the Soviet Union in 1936. In 1945 Koner performed at the 92nd Street Y, where she met Doris Humphrey, who had just begun directing the Y‚s dance education department in addition to continuing with her own company. During this period Koner began to dance with Humphrey and with Humphrey‚s prot√g√ Jos√ Lim√n; she was a soloist with the Lim√n Company from 1946 to 1960. ‚Stylistically versatile, she contributed to early television dance, taught dance around the world and choreographed stage shows at the Roxy Theater and several ice revues.

These findings show that early experiences can induce long-lasting changes in especially brain dopamine receptor density and that ethanol consumption induces alterations in opioid and dopamine receptor density in distinct brain areas. It is also suggested that changes induced by repeated MS15 may provide protection against high voluntary ethanol intake.]